This is essentially a dry mix too, the effected vocal sound is actually from the Human Voice FX category of Omnisphere.Makes us wonder where Ned gets all his energy.wonder what he eats for breakfast?FEATURES: Omnisphere and Stylus RMX© Spectrasonics and Ned Bouhalassa. Ned was a 'demo animal'.with new demos erupting almost daily it seemed!This is another 'tear your head off' style demo, showing how intense the combination of ambient and power-synth sounds can be used to great effect in a high energy setting. Hmmm.makes us a little hungry too.where's that cheescake?FEATURES: Omnisphere and Stylus RMX© Spectrasonics and John Lehmkuhl. John tells us to imagine a stealth midnight snack trip to the fridge as we listen! Great playing.not to mention the excellent percussion programming with RMX too.FEATURES: Omnisphere and Stylus RMX© Spectrasonics and Nick Manson. Nick did some clever rendering to achieve all the changes in texture from section to section, and an interesing technique with the ending solo and comp chords: He originally played it in one pass on a Rhodes sound, and then split the left and right hands in the MIDI sequencer, assigning them to the unique solo sound he put together with some different layers, and the analog Oberheim style comping part on a different Omnisphere part. A gorgeous and very musical demo that showcases a wide variety of the many lush pad colors that Omnisphere has.

Really shows how serious a combination RMX and Omnisphere are for Dance music.hard to top.FEATURES: Omnisphere and Stylus RMX© Spectrasonics and Adrian Clarida. Great drum programming and use of Groove Control on RMX too. UK Remixer Adrian Clarida takes us on an unexpected journey through territory that is definitely WAY off of the 'pad/ambient' chart!Using the Solo mode and glide, he turned the 'Magnetic Chamber Strings' sound into a wicked baseline hook.making it a far more interesting track that your typical 303 acid line could provide.

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